Sukan - Renang Sinkronisasi
ARTISTIC IMPRESSION
An effect, image or feeling retained as a result of a swimmer’s routine, covers the three areas of choreography, interpretation of music and manner of presentation.
ARTISTIC IMPRESSION SCORE
The score given by each judge in panel two for: choreography, musical interpretation and manner of presentation.
BALLET LEG
A position where one leg is extended perpendicular to the water surface, with the body in a back layout position.
BALLET LEG DOUBLE
A position where the legs are together and extended perpendicular to the water surface, with the face at the surface.
BOOST
A rapid, head first rise out of the water, aiming to raise as much of the body as possible above the surface.
CADENCE ACTION
A sequence of identical movements performed one-by-one by all team members, usually in rapid succession.
COMBINED SPIN
A descending spin of at least 360 degrees followed, without a pause, by an equal ascending spin in the same direction.
CONTINUOUS SPIN
A descending spin with a rapid rotation of at least 720 degrees, before the heels reach the surface.
CRANE
A position where the body is extended in a vertical position with one leg extended forward at a 90-degree angle.
DECKWORK The mood-setting moves that swimmers perform on the deck once the music starts before they enter the water.
DEGREE OF DIFFICULTY
A weighting applied to a particular figure for scoring purposes in a figure competition.
DESCENDING SPIN
A spin of 180 or 360 degrees that starts at the height of the vertical position and is completed as the heels reach the surface.
DIFFICULTY
Complexity of movements, speed of movements, number of figures and hybrids.
EGGBEATER
A rotary action of the legs used to support and propel the upper body in an upright position, leaving the arms free.
EXECUTION
The performance level of the skills demonstrated.
FIGURE
A combination of body positions and transitions performed in a prescribed manner.
FLAMINGO
A position where one leg is extended perpendicular to the surface while the other leg is drawn to the chest, with the lower leg parallel to the surface and the face at the surface.
FLOAT
A surface formation where between two and eight swimmers are connected horizontally.
FREE ROUTINE
A routine where the choreography and choice of music is completely free.
FULL TWIST
A rotation of 360 degrees at sustained height. Half twist A rotation of 180 degrees at sustained height.
HYBRID FIGURE
A combination of figure parts, body positions and transitions that come from mixed origin or composition.
LEVEL
The body’s position in relation to the water surface, such as high, medium or low.
LIFT When one or more swimmers gives support to lift another swimmer (or more) above the surface of the water.
MANNER OF PRESENTATION
The total command of a swimmer’s performance as she presents it to the audience.
PATTERN
A formation made by the spatial relationship between the members of a team.
POOL PATTERN
The path a swimmer takes through the water.
PROPULSION TECHNIQUE
The way a swimmer uses her arms, legs or both to move through the water; a driving force.
REQUIRED ELEMENTS
Eight to ten fixed figures or other requirements which must be performed by all participants in a technical routine session.
REVERSE COMBINED SPIN
An ascending spin of at least 360 degrees followed without a pause by an equal descending spin in the same direction.
RISK FACTOR
The use of a difficult action in which an error in execution may cause a near disaster.
ROCKET SPLIT
A move involving a thrust to the vertical position, followed by a rapid leg split before returning to the vertical position at maximum height.
ROUTINE
A composition of strokes, figures and parts thereof, choreographed to music. It is judged on both technical merit and artistic impression.
SCULL
A movement of the hands designed to apply continuous pressure against the water to propel, balance and support the body. SPIN
An ascending or descending rotation in a vertical position, performed in a uniform motion unless otherwise specified.
SPLIT
A position where the legs are split evenly forward and back, with the feet and thighs at the surface while the lower back is arched and the hips, shoulders and head are in a vertical line in the water.
TECHNICAL MERIT
The level of excellence demonstrated by the swimmers’ mastery of highly specialised skills.
TECHNICAL MERIT SCORE
The score given by each judge in panel one; for execution, synchronisation and difficulty.
TECHNICAL ROUTINE
A routine which contains required elements woven into the choreography. Competitors are free to choose the music they perform to.
THRUST
A move that starts from a back pike position with the legs perpendicular to the surface and involves a rapid vertical upward movement of the legs and hips as the body unrolls to assume the vertical position.
TWIRL
A rapid twist of 180 degrees.
TWIST
A rotation at sustained height.
TWIST SPIN
A move that involves a half-twist followed, without a pause, by a continuous spin.
VERTICAL POSITION
A position where the body is extended, with face, chest, thighs and feet at the surface.
WALKOVER FRONT
A move where, starting in the split position, the front leg is lifted in a 180-degree arc over the surface to meet the other leg in a surface-arch position, and with continuous movement an arch to back layout is executed.
MALAYSIAN SYNCHRONIZED SWIMMER
- Shareen Png Hui Chuen
- Yshai Poo Yee
- Tan May Mei
- Yshai Poo Voon
- Zyanne Lee Zhien Huey
- Yeo Pei Ling
- Jillian Ng Siew Mei
- Katrina Ann bt Abdul Hadi
- Mandy Yeap Mun Xin
- Irene Chong See Win
( from Bukit Jalil Sports School, BJSS)
ACHIEVEMENT
12TH FINA WORLD CHAMPIONSHIP
MELBOURNE , AUSTRALIA, 17 MAC ~ 1 APRIL 2007
Shareen Png ~ Tech Solo 24th (74.667pts)
Katrina Ann ~ Free Solo 23rd (75.00pts)
Shareen Png + Jillian Ng ~ Tech Duet 32nd (73.667pts)
Shareen Png + Zyanne Lee ~ Free Duet 27th (79.00pts)
JAPAN SYNCHRONIZED SWIMMING CHAMPIONSHIP OPEN,
TOKYO, JAPAN, 2 ~ 5 MAY 2007
Tan May Mei, Yshai Poo Voon, Mandy Yeap, Irene Chong, Yeo Peo Ling, Zylane Lee, Jillian Ng & Yshai Poo Yee:
Tech Team ~ 70.167pts (12th)
Free Team ~ 79.834pts ( Silver ~ International)
2007 US JUNIOR & OPEN CHAMPIONSHIP,
HONOLULU, HAWAII, 15 ~21 JULY 2007
Katrina Ann ~ Junior Figures 32nd (69.195pts)
~ Junior Solo 4th (86.000pts)
Zyanne Lee ~ Open Tech Solo 6th (79.833pts)
~ Open Free Solo 5th (83.833pts)
~ Total Score 81.834pts (6th)
Shareen Png ~ Open Tech Solo 3rd (82.833pts)
~ Open Free Solo 2nd (85.500pts)
~ Total Score 84.167pts (Silver)
Shareen Png + Zyanne Lee ~ Open Tech Duet 3rd (83.333pts)
~ Open Free Duet 4th (84.333pts)
~ Total Score 83.834pts (Bronze)
5th AASF ASIAN AGE GROUP CHAMPIONSHIP JAKARTA, INDONESIA,
26 ~30 AUGUST 2007
13 ~ 15 AgeGroup Figures:
Katrina Ann - 3rd (67.897pts)
Zylane Lee - 9th (62.375pts)
Cheah Cheng Im - 30th (53.813pts)
13 ~15 AgeGroup Solo:
Katrina Ann - Silver (77.667pts)
Zylane Lee - 7th (73.667pts)
13 ~ 15 AgeGroup Duet:
Zylane Lee + Katrina Ann - Bronze (77.833pts)
16 ~18 AgeGroup Figures:
Yeo Pei Ling - 13th (64.606pts)
Jillian Ng - 15th (64.283pts)
Irene Chong - 17th (63.044pts)
Mandy Yeap - 19th (62.825pts)
16 ~18 AgeGroup Solo:
Jillian Ng - 4th (77.167pts)
Irene Chong - 9th (75.000pts)
16 ~18 AgeGroup Duet:
Yeo Pei Ling + Mandy Yeap - 4th
16 ~18 AgeGroup Team:
Yeo Pei Ling, Jillian Ng, Irene Chong & Mandy Yeap - Bronze (75.166pts)
CHINA SYNCHRONIZED SWIMMING OPEN, CHANGSHU, CHINA
21 ~24 SEPTEMBER 2007
Shareen Png + Zyanne Lee - Tech Duet 83.500pts (5th)
MALAYSIA OPEN 2006
OPEN SOLO:
Shareen - 79.500pts (Tech) , 79.666pts (Free) = 79.583pts (Gold)
Pei LIng - 73.833pts(Tech) , 75.666 (Free) = 74.333pts (Bronze)
OPEN DUET:~
Shareen & Zyanne -
78.499pts (Tech) , 81.500pts(Free) = 80.000pts (Gold)
Katrina, Poo Voon & Jillian -
76.500pts (Tech) , 79.500pts (Free) = 78.000pts (Silver)
13 ~ 15 FIGURES:
Katrina - 70.870pts (1st)
Zylane - 67.475pts (3rd)
13 ~ 15 SOLO:
Katrina - 71.768pts (Gold)
13 ~ 15 DUET:
Zylane & Katrina - 71.753pts (Gold) 16 ~ 18 FIGURES:
Jillian - 73.505pts (1st)
May Mei - 71.973pts (2nd)
Mandy - 68.569pts (3rd)
Irene - 66,761pts (5th)
16 ~ 18 SOLO:
Mandy - 72.450pts (Gold)
Irene - 71,298pts (Silver)
16 ~ 18 DUET:
May Mei & Jillian - 74.369pts (Gold)
FINA Synchro World Cup 2006
Yokohama, 14 -17 September 2006
NAME | EVENTS | PLACING & POINTS |
Mandy Yeap Mun Xin
Zyanne Lee Zhien Huey
Yeo Pei Ling
Irene Chong See Win
Jillian Ng Siew Mei
|
|
|
Tech Team | 13th – 79.900pts |
Free Team (Prelim) | 13th – 82.800pts |
|
|
Team Final Score | 13th – 81.350pts |
Japan Synchronized Swimming Championship 2006
Tech Team ~ 9th(81.344pts)
Free Team ~ 9th (83.333pts)
Open Team ~ 2nd
42ND MILO-PRAM MALAYSIA AGE GROUP AQUATIC CHAMPIONSHIP
Pusat Akuatik Paroi, Negeri Sembilan 27 - 30 April 2006
AG 16 - 18 yrs: Gold (68.563pts) - Irene Chong (Negeri Sembilan)
Silver (63.720pts) - Kok Yee Ling (Penang)
Bronze (61.801pts) - Ching Weng Pheng (Penang)
AG 13 - 15 yrs:
Gold (70.894pts) - Katrina Ann (Selangor)
Silver (66.147pts) - Rachel Teoh (Penang)
Bronze (65.023pts) - Thor Sze Yun(Penang)
AG 12 yrs Under:
Gold (55.790pts) - Emanuelle Mah (Penang)
Silver (52.354pts) - Leong Jie Xi (Penang)
Bronze (51.385pts) - Cheah Cheng Im (Penang)
COMMONWEALTH GAMES 2006
MELBOURNE, AUSTRALIA (16 - 26 MARCH 2006)
SHAREEN PNG - Technical Solo Routine ( 5th - 78.000pts)
- Free Solo Routine ( 5th - 79.000pts)
SHAREEN PNG & ZYANNE LEE - Technical Duet Routine ( 5th - 77.500pts)
- Free Duet Routine ( 5th - 78.334pts)
7th ASIAN SWIMMING CHAMPIONSHIP 2006
TOA PAYOH SWIMMING COMPLEX, SINGAPORE (6 - 9 MAC 2006)
Open Tech Solo Prelim : Shareen Png (13 participants) - 5th (77.500pts)
Open Tech Solo Final : Shareen Png (9 participants) - 5th (79.333pts)
Open Tech Duet Prelim : Shareen Png & Zyanne Lee (13 participants) - 7th (78.500pts)
Open Tech Duet Final : Shareen Png & Zyanne Lee (10 participants) - 5th (79.167pts)
Open Free Solo Prelim : Shareen Png (14 participants) - 5th (80.000pts) Open Free Solo Final : Shareen Png (9 participants) - 5th (80.333pts)
Open Free Duet Prelim : Shareen Png & Zyanne Lee (14 participants) - 7th (79.833pts)
Open Tech Duet Final : Shareen Png & Zyanne Lee (10 participants) - 5th (80.334pts)
posted by Kumpulan Boonx2 on 7:22 AM
Sukan - Gimnastik
Gymnastics is an activity and sport involving performance of exercises requiring physical strength, flexibility, agility, co-ordination, balance, and grace. Internationally, all of the gymnastic sports are governed by the Fédération Internationale de Gymnastique (FIG) with each country having its own national governing body affiliated to FIG. Competitive Artistic gymnastics is the best known of the gymnastic sports. It typically involves the women's events of uneven parallel bars, balance beam, floor exercise, and vault. Men's events include floor exercise, pommel horse, still rings, vault, parallel bars, and high bar. Gymnastics evolved from exercises used by the ancient Greeks, that included skills for mounting and dismounting a horse, and from circus performance skills.
Other gymnastic sports include rhythmic gymnastics, the various trampolining sports, and aerobic and acrobatic gymnastics.
Participants can include children as young as two years old and sometimes younger doing kindergym and children's gymnastics, recreational gymnasts of all ages, competitive gymnasts at varying levels of skill, as well as world class athletes.
HISTORY
To the Ancient Greeks, physical fitness was paramount, and all Greek cities had a gymnasium, a courtyard for jumping, running, and wrestling. As the Roman Empire ascended, Greek gymnastics gave way to military training. The Romans, for example, introduced the wooden horse. In 393 AD the Emperor Theodosius abolished the Olympic Games, which by then had become corrupt, and gymnastics, along with other sports, declined. For centuries, gymnastics was all but forgotten.
In the fifteenth century, Girolamo Mercuriale fromForlì (Italy) wrote De Arte Gymnastica, that brought together his study of the attitudes of the ancients toward diet, exercise and hygiene, and the use of natural methods for the cure of disease. De Arte Gymnastica also explained the principles of physical therapy and is considered the first book on sports medicine.
In the late eighteenth and early nineteenth centuries, two pioneer physical educators – Johann Friedrich GutsMuths (1759–1839) and Friedrich Ludwig Jahn (1778–1852) – created exercises for boys and young men on apparatus they had designed and that ultimately led to what is considered modern gymnastics. In particular, Jahn crafted early models of the horizontal bar, the parallel bars (from a horizontal ladder with the rungs removed), and the vaulting horse.
The International Federation of Gymnastics (FIG) was founded in Liege in 1881. By the end of the nineteenth century, men's gymnastics competition was popular enough to be included in the first "modern" Olympic Games in 1896. From then on until the early 1950s, both national and international competitions involved a changing variety of exercises gathered under the rubric gymnastics that would seem strange to today's audiences: synchronized team floor calisthenics, rope climbing, high jumping, running,horizontal ladder, etc. During the 1920s, women organized and participated in gymnastics events, and the first women's Olympic competition – primitive, for it involved only synchronized calisthenics – was held at the 1928 Games in Amsterdam.
By 1954, Olympic Games apparatus and events for both men and women had been standardized in modern format, and uniform grading structures (including a point system from 1 to 15) had been agreed upon. At this time, Soviet gymnasts astounded the world with highly disciplined and difficult performances, setting a precedent that continues. The new medium of television helped publicize and initiate a modern age of gymnastics. Both men's and women's gymnastics now attract considerable international interest, andexcellent gymnasts can be found on every continent. Nadia Comaneci received the first perfect score, at the 1976 Summer Olympics held in Montreal, Canada. She was coached in Romania by the Romanian coach, (Hungarian ethnicity), Béla Károlyi. According to Sports Illustrated, Comaneci scored four of her perfect tens on the uneven bars, two on the balance beam and one in the floor exercise. Even with Nadia's perfect scores, the Romanians lost the gold medal to the Soviets. Nevertheless, Comaneci became an Olympic icon.
In 2006, a new points system for Artistic gymnastics was put into play. With an A Score (or D score) being the difficulty score, which as of 2009 is based on the top 8 high scoring elements in a routine (excluding Vault). The B Score (or E Score), is the score for execution, and is given for how well the skills are performed.
1908 Summer Olympics in London: The British women's gymnastics team
FORMS
ARTISTIC GYMNASTICS
Artistic gymnastics is usually divided into Men's and Women's Gymnastics. Typically men compete six events: Floor Exercise, Pommel Horse, Still Rings, Vault, Parallel Bars, and High Bar, while women compete four: Vault, Uneven Bars, Balance Beam, and Floor Exercise. In some countries, women at one time competed on the rings, high bar, and parallel bars (for example, in the 1950s in the USSR). Though routines performed on each event may be short, they are physically exhausting and push the gymnast's strength, flexibility, endurance and awareness to the limit.
Artistic gymnasts participate in competitions which use a standardized level system ranging from Level 1 to Level 10. Levels 1 through 6 compete using compulsory routines. In Levels 7
though 10, athletes may use their own routines created from a set of skills which must be included. Elite competition, open to skilled younger athletes in lower levels, is typically reserved for athletes who have aged out of the junior program; for example, in the United States, Junior Olympic competition ends when the athlete reaches age 18. Elite gymnasts compete for team slots, which allows them access to international competition. It is accepted practice at the compulsory and optional level to use standardized routines in the training of young gymnasts.
In 2006, FIG introduced a new points system for Artistic gymnastics in which scores are no longer limited to 10 points. The system is usedin the US for elite level competition.
WOMEN'S EVENT
Vault.
In the vaulting events gymnasts: sprint down a 25 meter (about 82 feet) runway, jump onto a beatboard or springboard (run/ take-off segment), land momentarily generally inverted on the hands on the vaulting horse or vaulting table (pre flight segment), then spring off of this platform to a two footed landing (post flight segment). The post flight segment may include one or more multiple saltos or somersaults, and/or twisting movements. Round-off entry vaults are the most common vaults. In vaults with roundoff entries, gymnasts "round-off" so hands are on the runway while the feet land on the springboard (beatboard). From the roundoff position the gymnast travels backwards as in a backhandspring so that the hands land on the vaulting platform (horse). She and then blocks off the vaulting platform into various twisting and somersaulting combinations. The post flight segment brings the gymnast to her feet.
In 2001, the traditional vaulting horse was replaced with a new apparatus, sometimes known as a tongue or table. The new apparatus is more st able , wider, and longer than the older vaulting horse—approximately 1m in length and 1m in wid th—gives gymnasts a larger blocking surface, and is therefore safer than the old vaulting horse. With the addition of this new, safer vaulting table, gymnasts are attempting more difficult and dangerous vaults.
Gymnasts on vault.
Uneven Bars
On the uneven bars (also known as asymmetric b ars, UK), the gymnast performs a routine on two horizontal bars set at different heights. These bars are made of fiberglass covered in wood laminate, to prevent them from breaking. In the past, bars were made of wood, but the bars were prone to breaking, providing an incentive to switch to newer technologies. The width of the bars may be adjusted. Gymnasts perfor m swinging,
circling, transitional, and release moves, that may pass over, under, and between the two bars. Movements may pass through the handstand. Gymnasts often mount the Uneven Bars using a springboard.
Gymnast o n uneven bar
Balance Beam
The gymnast performs a choreographed routine up to 90 seconds in length consisting of leaps, acrobatic skills, somersaults, turns and dance elements on a padded, and sprung beam. The beam is 125 centimetres (4.1 ft) from the ground, 500 centimetres (16 ft) long, and 10 centimetres (3.9 in)wide.The event requires in pa rticular, balance, flexibility and strength.
Gymnast doing a stag ring lea p on floor exercise.
- Floor
- Years ago, floor exercise was executed on wrestling mats. However,the floor event occurs on a carpeted 12m × 12m square, usually consisting of hard foam over a layer of plywood, which is supported by springs or foam blocks generally called a "spring" floor. This provides a firm surface that will respond with force when compressed,
allowing gymnasts to achieve extra height and a softer landing than would be possible on a regular floor, which used to cause many ankle injuries. Gymnasts perform a choreographed routine up to 90 seconds long. They can choose an accompanying music piece, which must be instrumental and cannot include vocals. The routine should consist of tumbling lines, series of jumps, dance elements, acrobatic skills, and turns, or piviots, on one foot. A gymnast can perform up to four tumbling lines that include at least one flight element without hand support.
ScoringA gymnast's score comes from deductions taken from their start value. The start value of a
routine is calculated based on the difficulty of the elements the gymnast attempts and whether or not the gymnast meets composition requirements. The composition requirements are different for each apparatus. This score is called the D score.Deductions in execution and artistry are taken from 10.0. This score is called the E score.The final score is calculated by taking deductions from the E score, and adding the result to the D score.
Men's event
Floor exercise
Male gymnasts also perform on a 12m. by 12m. spring floor. A series of tumbling passes are performed to demonstrate flexibility, strength, and balance. The gymnast must also show strength skills, including circles, scales, and press handstands. Men's floor routines usually have four passes that will total between 60–70 seconds and are performed without music, unlike the women's event. Rules require that male gymnasts touch each corner of the floor at least once during their routine.
ALSO AVAILABLE IN:
- POMMEL HORSE
- STILL RINGS
- VAULT
- PARALLEL BAR
- HIGH BAR
TOKOH-TOKOH GIMNASTIK
Elaine Koon
Elaine Koon was the all-round champion in the junior category.
n the junior category, Elaine Koon, 13, led the pack by capturing the all-round title.Koon from SMJK (C) Yu Hua, Kajang also bagged gold medals in the rope and ribbon events and collected two silver medals (hoop and clubs).
Nur Hidayah Abdul Wahid
Malaysian rhythmic gymnast Nur Hidayah Abdul Wahid
at the the World Championships in Japan
Nur Hidayah said before: “Training is tiring, no doubt about it. But i had try to put in 100 per cent effort in our training.”
posted by Kumpulan Boonx2 on 3:22 AM
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